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Home
Spotlight On
Beautiful Homes
Meet The Team
Behind the Name
Our Showrooms
Visit Jim Lawrence Website
Made By Us
  • Home
  • Spotlight On
  • Beautiful Homes
  • Meet The Team
  • Behind the Name
  • Our Showrooms
  • Visit Jim Lawrence Website
  • Made By Us
Jim Lawrence Blog - Jim Lawrence Blog
Meet The Team

Meet The Jim Lawrence Welders

In our Suffolk workshop we employ a skilled team of 150 engineers, painters, seamstresses, designers, lampshade makers and technicians alongside a full cohort of support staff. As we unpick the Jim Lawrence family and invite you to see a day in the life of our makers, we want to introduce you to a huge part of our heritage: the welders. This is really where it all began, using traditional metal working techniques here in Suffolk. We chat to our Technical Lead, Lee Saxby about this craft and how we create the lights you love.

Firstly, can you tell us who makes up the team?

There are about 20 welders, aged from 18 to their mid 60s, split into two teams, one working with steel the other with brass as they are different metals that require different types of welding.

Talk us through your typical workday in the workshop.

Our working day is generally 8am to 4.30pm but everyone works different shifts within that. We all have our own benches or workstations where the supervisors will have given us our job sheets for the day so that everyone knows what they are working on and how many they need to make by the end of the day.
A typical job varies between 4-5 hours for a large or complicated light, to one every 5 minutes for a simpler design. We have a tea break at 10.30-10.45, half an hour for lunch any time between 1 & 2pm and finish at around 4.30pm.

How many products do you now make in a day?

It depends which products we are making. As a team we can make 2-300 smaller lights like the Thorpe or Cranfield spotlight in a day, but if we’re working on a new Sussex wall or pendant light, we’ll only produce one a day as they are a more ornate so there’s a lot of welding involved.

Can you describe the key steps of the welding process?

The first thing we do is collect the carcass (component parts) for the product we are making. These will have been picked from the storeroom when a customer’s order comes through and passed on to us. We always make products in batches, regardless of how many orders there are so that we have enough kept in stock.

The first thing we do is clean the raw metal with a shot blaster to get rid of any scale that has built up. Then we use a Tig to weld the joints together to build the three dimensional product. When it is finished, we use a circular grinder to clean up the metalwork, going over the joints and edges to remove any rough bits so that it’s sharp, clean and tidy.
When we’ve done, we’ll put the products on the Quality Control shelf to be inspected. If they pass, they will be given to the finishing teams who will paint, polish or antique the products ready to be wired up. If the products don’t pass QC, we have to take them back and continue working on them until they do.

Like many of our makers at Jim Lawrence, it must be rewarding to be making something creative with your hands – though very hard work! With well over three thousand products available, what is the most challenging Jim Lawrence product to create?

Definitely the Montgomery or Sussex lights (shown below) which can take around 16 hours to make and require experienced welders with specialist skills. They are beautiful designs but incredibly complicated to make. The Large Charlecote Lantern is another example. The tables we make are surprisingly difficult because although they look relatively simple, all the legs and edges need welding and the smallest mistake can be very visible.

As a team, do you ever have any input on the design process?

Yes, the design team are always asking us if it’s possible to make the things they dream up. They need to know what is the best way to make it, what the pitfalls are and if it can be made more efficiently.

Do you get to work on any creative bespoke requests?

Not as many as we used to because as demand has risen and the company has grown, we’ve had to stop a lot of our bespoke work in favour of keeping up with our stocked products. I remember having to make two huge wagon wheel style lights for a converted barn in France a few years ago, and we once had a request to make metal flags and flagpoles for a turret on a country mansion, which was quite a job!

Going from a smaller farm forge and expanding to a location where you’re welding for one of the country’s leading lighting and home furnishings retailers, your roles and responsibilities must have changed. How has this effected the craft?

Well, I’ve been at Jim Lawrence for around 20 years so I’ve seen a lot of changes. Back in the day at Jim’s farm there were only five or six of us making about 20 products a month, whereas now there are 15 or 16 of us making 80-90. A lot of what we do now is about constantly asking ourselves what we can do to make things more efficient so we can get them out quicker. We used to have to do everything whereas now we have machinery to deal with repetitive tasks which is great because it means you can get on with the more fun stuff.

We are very lucky to be able to preserve this traditional way of making, including hand finishing our products. Why do you think people love to know that their products are handmade?

You can tell something is handmade by the quality of it. It just looks and feels different which people really appreciate. To us, when you make products yourself, you put your heart into it because you are doing what you love and you want it to be the best example of your work, so it shows in the finished result. It doesn’t matter if it’s a door hook or a glass pendant light, you want people to love it and they generally do.

Finally, many of our employees have been here long term, including most of you! What’s the best part of working for a family business like Jim Lawrence?

To me it’s because it’s personal. I’ve worked with a lot of the team for years so we’ve become good friends and have a great understanding of the pressures of the job. Jim used to work with us in the workshop and he and Sheena are still very hands on and come down all the time. Our managers also worked alongside us once, so you build up good relationships and new people find it easy to fit in.

You can browse all of our hand forged products on our website and enjoy other stylish customer homes on Instagram. Don’t forget to tag us in your own imagery on Instagram, Twitter and Facebook – we love seeing our products in their new homes. 

Did you know you can visit our Suffolk workshop? Our showroom and workshops are located here: Jim Lawrence Traditional Ironworks, The Ironworks, Lady Lane, Hadleigh, Suffolk, IP7 6BQ. Anyone is welcome to enjoy and shop the showroom, but please contact us in advance should you want a group tour of the workshops and warehouses: we are very open to showing you where your products are made, but do require some notice.

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Welcome to the Jim Lawrence Style Journal.

We are a British interiors company creating beautiful lighting, ironwork and home furnishings from our Suffolk workshop.

This is where we share ideas that we love, show sneak peeks behind the scenes of our brand and offer a unique insight into classic design.

jimlawrencemade

Jim Lawrence Lighting & Home
Launching next week. We’ve been exploring colou Launching next week.

We’ve been exploring colour in glass, taking time to refine tones that feel fresh and considered. 

A simple idea at the heart of it: a little colour can change the feel of a space completely, bringing in warmth and character in a way that still feels calm and considered.

Sign up to our newsletter via the link in bio to be the first to shop the collection.
A first look at something new.⁠ Designed to brin A first look at something new.⁠ Designed to bring a considered touch of colour.⁠
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We’ve been quietly working on a range of coloured glass shades. This particular finish has taken time to refine, adjusting the tone and perfecting the colours to feel rich but not too shouty. ⁠
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Sign up to our newsletter via the link in bio to be the first to shop the collection.
A small moment from the workshop, and one we never A small moment from the workshop, and one we never quite tire of.⁠
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Cutting brass on the laser, precise, efficient, and oddly satisfying to watch. It’s a process that speaks to our love of good machinery and thoughtful engineering.⁠
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We’ve always had a soft spot for this side of making. The hum of the machines, the accuracy they bring, and the way they sit alongside more traditional handwork without fuss.⁠
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Discover more of our manufacturing process via the link:⁠
jim-lawrence.co.uk/category/inspiration/manufacturing-in-england
A closer look at two new pieces, working quietly a A closer look at two new pieces, working quietly alongside one another.⁠
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The Double Brooke Wall Light has a reassuring weight to it, made with solid brass, it is a piece that will stand the test of time.⁠
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The Frosted Walcot softens the mood. Once lit, the glass gives off a gentle, diffused glow that feels calm and easy in a space.⁠
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Discover the collection via the link in bio. ⁠
Our May Edit.⁠ ⁠ This month, we’re drawn to Our May Edit.⁠
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This month, we’re drawn to Jade Green, Frosted Glass and Hunstanton Velvet in Duck Egg Blue, softer tones that feel fresh for the season, paired with the warmth of antiqued brass. Together, they bring colour, texture and character in a way that feels considered.⁠
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Follow along for our monthly edit, where we bring together best-selling pieces designed to work beautifully, and naturally, side by side.
Small spaces can still have plenty of character.⁠
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@logie_cottage has made every inch count, filling this bathroom with thoughtful detail and plenty of country charm. Our Single Malvern Bathroom Lights, placed either side of the mirror, bring balanced light and a simple, timeless feel that suits the space perfectly.⁠
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It’s a lovely reminder that good design isn’t about size, it’s about choosing pieces that work hard, look right, and help a room feel considered from corner to corner.⁠
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Photography & inspiration: @logie_cottage
Traditional forging has been with us from the very Traditional forging has been with us from the very beginning, back in a small Suffolk barn with little more than an anvil, right through to the workshop as it is today.⁠
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It’s a way of making that feels rooted in something honest and real, part of a much wider story of British manufacturing that we’re proud to still be part of.⁠
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If you’d like to see more, you’ll find the full Jim Lawrence story via the link in our bio.
Nothing similar is quite the same.⁠ ⁠ A light, Nothing similar is quite the same.⁠
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A light, open space made all the more inviting with a considered mix of pieces, our new Double Brooke Wall Light alongside the Frosted Walcot Pendant. ⁠
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Each one made with genuine care, each one carrying its own quiet variations. These gentle irregularities are signs of a process led by people.⁠
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Discover the collection via the link in bio.
A look inside the daily rhythm of our Suffolk work A look inside the daily rhythm of our Suffolk workshop.⁠
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This is where it all happens, pieces moving steadily from one bench to the next, each one handled with care and a good deal of know-how. Our painting and sherardising aren’t quick fixes or final flourishes, they’re trusted processes we return to every single day because they do the job properly.⁠
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What you see here is exactly that: an honest glimpse into how things run. ⁠
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It’s thoughtful, practical making that shapes everything we produce. Follow along if you’d like to see a little more of how it all comes together.⁠
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How it’s Made.
As the seasons begin to turn, we find ourselves re As the seasons begin to turn, we find ourselves reaching more often for simple, natural additions at home, a few stems gathered on a walk, dried grasses, or the first flowers brought in from the garden.⁠
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We’ve always loved how our customers style our lights in this way, softening the look with flowers and foliage. It’s an easy, thoughtful approach that adds colour and texture without ever feeling overdone.⁠
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With summer just around the corner, it’s a timely reminder that styling doesn’t need to be complicated. ⁠
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With thanks to:⁠
@sascalstudio⁠
@rosie__maybe⁠
@jessica.forbes.interiors⁠
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Photography by @elliottwhitephotgraphy⁠
Most of the time when people think of us, they thi Most of the time when people think of us, they think of lights, and they’re right. From pendants and wall lights to chandeliers and table lamps, every piece is designed and handcrafted here in Suffolk, in our UK workshop.⁠
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However, we also make a wide range of window furniture, curtains blinds and poles. Pairing our fabrics and finishes, to ensure you can coordinate your soft furnishings with the rest of your home in a way that feels considered, well‑made, and built to stand the test of time.⁠
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All handmade in Suffolk. ⁠
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Discover more via the link in bio.
Good lighting can tie a space together, especially Good lighting can tie a space together, especially in spaces that mix old with new. Our Ellington wall light is a natural fit here - set against timeworn textures, warm wood and aged brick, our antiqued brass feels right at home.⁠
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It’s this balance we always come back to, mixing modern pieces with vintage textures, creating spaces that feel lived-in, considered, and quietly timeless #jimlawrencemade⁠
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#pendant #glass #lighting #handmade
A glimpse at how our brass is formed. ⁠ ⁠ Each A glimpse at how our brass is formed. ⁠
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Each back box starts as a flat disc, shaped with precision on our spinning machine. It’s a process that relies on steady pressure and careful control, gradually forming the brass into its final shape.⁠
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We’ve always preferred to make things ourselves. It allows us to oversee every stage, checking each piece as it moves through the workshop and ensuring the finish is exactly as it should be.⁠
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The result is pieces with consistent quality and made with genuine care.⁠
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Made this way.
A clever light for every corner. ✨⁠ ⁠ Our Ha A clever light for every corner. ✨⁠
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Our Hanson Library Wall Light tucks neatly by the bed, leaving surfaces clear while bringing a soft glow. With its single swing arm, it follows you from reading to relaxing, guiding quiet evenings.⁠
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Practical, yes - but with a subtle character that transforms a simple corner into a little daily ritual.⁠
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Styled beautifully by @uns.hobbs_interiors
The softness of aged wood, the texture of painted The softness of aged wood, the texture of painted brick, and the quiet glow of well-placed lighting, it’s these small details that come together to create something calm and enduring. Our lights are designed very much with this in mind, to sit comfortably within a room, adding warmth without ever feeling overdone.⁠
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Nothing too polished, just a balance of old and considered pieces that make a space feel settled and lived in.⁠
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Explore more via the link in our bio.⁠
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A customer recently got in touch while downsizing, A customer recently got in touch while downsizing, having come across⁠
one of our very first brochures, carefully tied together with twine. ⁠
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It brought back memories of those early days and of pieces that have clearly⁠
stood the test of time. It is a reminder of how far things have come and how⁠
much those early values still matter to us today.⁠
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Thank you for sharing this with us - we always value hearing from you, and⁠
messages like this feel especially meaningful.⁠
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For more information about ⁠our story, please follow the link in our Bio.⁠
⁠The Rococo Wall Light is a piece that doesn’t ⁠The Rococo Wall Light is a piece that doesn’t try to hide.⁠
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With its flowing lines and decorative detail, it takes its cue from 18th century Rococo design, a style that embraced ornament, softness, and a certain sense of ease. Even the name comes from rocaille, the French word for seashell, a motif you’ll spot in its shape.⁠
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Lately, we’ve seen a move away from very pared-back interiors towards something a little richer and more expressive. Less minimal, more considered. Pieces with presence.⁠
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We make each light as a left or right-handed piece, so they can be used as a pair, framing a fireplace, a favourite picture, or either side of a doorway.⁠
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Discover our Wall Light collection via the link in bio.
A lovely glimpse into a working corner of a rustic A lovely glimpse into a working corner of a rustic office.⁠
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The Peterhouse Desk Light feels right at home here, the dark wood tones of the desk draw out the warmth of the antique brass finish, giving the whole space a comfortable, lived-in feel.⁠
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We’ve always found that antique brass pairs easily with a wide range of materials. Here, it sits beautifully alongside deep wood tones, while also working just as well with the softer, lighter creams in the adjoining bedroom.⁠
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With thanks to @figletlife for sharing this with us, and to @emmajaynelavell for the beautiful photography. ⁠
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Follow along for more inspirational images from our customers and the spaces they’ve made their own. #jimlawrencemade⁠
A fresh palette.⁠ ⁠ Our latest fabric colours A fresh palette.⁠
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Our latest fabric colours draw on softer, familiar shades, reworked for today and designed to sit elegantly alongside one another. Each tone has been carefully paired, making it easy to build a scheme that feels balanced, calm and cohesive.⁠
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Whether layered together or used as a gentle accent, these fabrics are made to bring warmth, and unique of character to the home.⁠
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Discover the full range via the link in the bio.
⁠At Jim Lawrence, we’ve always believed in doi ⁠At Jim Lawrence, we’ve always believed in doing things the proper way, by hand, in-house, and with honest materials. 

What you see here is exactly that. Real footage from our workshop, captured as it happens. No staging, no refinement, just the rhythm of making: loud and industrious.

Our commitment to UK-based production sits at the heart of everything we do. Each material carefully handled, every finish built up with patience, and decades of skill brought quietly into every detail.

Follow along for an honest look behind the process.

Made this way.
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