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Home
Spotlight On
Beautiful Homes
Meet The Team
Behind the Name
Our Showrooms
Visit Jim Lawrence Website
Made By Us
  • Home
  • Spotlight On
  • Beautiful Homes
  • Meet The Team
  • Behind the Name
  • Our Showrooms
  • Visit Jim Lawrence Website
  • Made By Us
Jim Lawrence Blog - Jim Lawrence Blog
Spotlight On

How To Choose The Right Lampshade [Updated for 2023]

Before we explore the ‘rules’ it’s important to bear in mind there is no such thing as the wrong shade. If you love it – it’s the right shade. Experimenting with lamp shades in new fabrics, shapes and colours is a simple ut effective way to instantly update your home’s style. However, with so many options to choose it’s helpful to have a guide to follow to help you get started.

Our shades come in a huge variety of sizes from 9.5 cm width for our Tapered Candle Shades (measured across the widest point on the shade) and go up to 50 cm styles, so choosing the right dimensions can feel like a bit of a minefield. Though by no means set in stone, here is a rough guide to help make things easier…

Wall lights are generally best partnered with Candle Shades, which are available in a variety of shapes and sizes, normally measuring between 15-20 cm across the widest point of the shade. We do have a variety of wall lights that might require a Half Shade such as our Thorpe, Omara and Millfield lights to name a few.

 

Generally speaking, for table lamps you should be looking for 15-20 cm wide shades for a smaller lamp base like our Small Porter Table Lamp, between 20-35 cm for an average lamp base like our Harleston, and anything up to about 50 cm forsomething larger such as our Seymour Lamp.

Standard lamps are a bit simpler. The rule of thumb with standard lamp sizes is if your lamp is a normal sized standard lamp, you will need a shade somewhere between 40 and 50 cm wide. If your standard lamp is a bit smaller (like our Nayland Adjustable Reading Lamp) anything between 30 and 40 cm may fit better. We advise our range of Empire Shades for our reading lamps, and a selection of Cylinder and French Drum Shades for our other, taller Floor Lamps.

Many of our lights are supplied with either a metal or glass shade, however lots of our designs require a fabric shade to complete the look. Customers have found that between 40 and 50 cm sized shades work well as central statement pendant in a room. Whether you opt for a multi-armed pendant like the Gloucester or Arlington , or choose from our variety of Pendant Lampholders, we have a wide range of shades above 20cm that can be fitted with a pendant frame to fit your light.


With over 70 fabrics at Jim Lawrence, we are pretty confident we have the right fabric for your perfect shade…

Both the colour and fabric of a lampshade influence how it diffuses light. Historically, lampshades were white or neutral in colour as these are the most effective at spreading light through a room, while a dark shade directs light downwards creating pools of light. In order for your light fitting and shade not to compete for attention we find that with lampshades, opposites attract. An ornate or busy lamp base will generally look better with a plain shade, while a simple base gives you the chance to really go to town with your shade. Be bold with one but not both.

Before choosing between a translucent or opaque fabric for your lampshade, think about the purpose of the lamp. If it is for reading or to shed ambient light, you should choose a translucent shade as it will allow light to escape through the sides of the shade, diffusing it evenly across a space. Opaque shades are made from material that prevents light from escaping from the sides. Instead, it is emitted from the top and bottom of the lamp creating pools of light that give a sense of drama to a room. If you’re using the lamp as accent lighting and don’t need a lot of light in the room, an opaque shade is ideal.

Remember the fabric will effect the brightness of your lamp. With all the patterns and lovely imagery available it’s easy to forget the practical aspect of the lamp – one final slightly cautionary note to remember , your fabric will change the luminously of the light output, so for areas that need a brighter effect choose a lighter shade fabric. We strongly recommend that you order a swatch before ordering any of our fabrics to help you decide if it is right for you. Once cut to length, our fabrics are non-returnable unless faulty.

If fabric isn’t your thing, give any lamp a beautiful brass treatment with these solid brass lampshades, designed to match our Antiqued Brass lights and lamps, these shades are also lightly antiqued for an elegant, aged finish.

Lampshades in the UK generally come with two types of fitting; they are either made with a shade ring that screws onto the lamp base beneath the bulb fitting, or they have two wire loops that are called a ‘butterfly’ or candle clip fitting that you gently pull apart so that the shade sits directly on top of a candle shaped bulb. We supply shades with both fitting styles. To keep it simple: all our Tapered and Candle Shades have candle clip fittings, while our other shades have shade rings.

This is another name for a shade ring. In order to make our shades as versatile as possible, the majority of our shades are sized to take an E27 screw in bulb which is 27mm wide at the base – the largest size available and commonly used throughout Europe. But, because we in the UK generally use a narrower B22 bayonet bulb that is 22mm wide, we fit each shade with a reducer – a plastic ‘C’ shaped ring that sits inside the metal shade ring – to make it narrower. That way you can use the shade with the reducer if you have a light with a bayonet bulb or remove the plastic reducer if you have a screw in bulb.

In the majority of our shades, the shade ring sits 4cm up from the bottom rim of the shade (or 4cm down from the top if it is a cylinder shade being used as a pendant). Our smaller shades have different measurements so you will need to call us to confirm the height.

A diffuser is a semi-opaque disc that is perfect for disguising the glare of a light bulb and are most commonly used over dining room or kitchen tables. They sit inside the bottom rim of a pendant shade and draw your eye to the lampshade not the bulb. Our diffusers are only suitable for cylinder shades. In order to fit a diffuser, you will need to be firm, but the frames on both diffuser and shade are quite strong. Push it up through from the bottom and tilt it slightly before pushing down from the inside to make sure the frame/diffuser rings touch and it sits level.

 

We create every lampshade by hand at our Hadleigh workshops from our fabulous collection of fabrics that are hand picked for their quality and suitability for the very best soft furnishings. We can therefore offer a bespoke lampshade design service. If you can’t find what you are looking for in our extensive ‘made to order’ range why not contact our sales team to discuss your unique lampshade requirements? Obtain a free quotation on 01473 826685. Please note all bespoke shades need to use one of our existing shade frames.

And there you have it: how to choose the right shade or even create one unique to you. Still have any questions? You can find further information about all of our products in the Knowledge Base. View all of our lampshades here – you can easily filter by colour, diameter, material, pattern and fittings to find the look you love. Don’t forget to tag us in your Jim Lawrence interior updates, we love seeing your products in our new homes! You can find us @JimLawrenceMade on Instagram, and follow us on Facebook, Twitter and Pinterest.

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Welcome to the Jim Lawrence Style Journal.

We are a British interiors company creating beautiful lighting, ironwork and home furnishings from our Suffolk workshop.

This is where we share ideas that we love, show sneak peeks behind the scenes of our brand and offer a unique insight into classic design.

jimlawrencemade

Jim Lawrence Lighting & Home
Launching next week. We’ve been exploring colou Launching next week.

We’ve been exploring colour in glass, taking time to refine tones that feel fresh and considered. 

A simple idea at the heart of it: a little colour can change the feel of a space completely, bringing in warmth and character in a way that still feels calm and considered.

Sign up to our newsletter via the link in bio to be the first to shop the collection.
A first look at something new.⁠ Designed to brin A first look at something new.⁠ Designed to bring a considered touch of colour.⁠
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We’ve been quietly working on a range of coloured glass shades. This particular finish has taken time to refine, adjusting the tone and perfecting the colours to feel rich but not too shouty. ⁠
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Sign up to our newsletter via the link in bio to be the first to shop the collection.
A small moment from the workshop, and one we never A small moment from the workshop, and one we never quite tire of.⁠
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Cutting brass on the laser, precise, efficient, and oddly satisfying to watch. It’s a process that speaks to our love of good machinery and thoughtful engineering.⁠
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We’ve always had a soft spot for this side of making. The hum of the machines, the accuracy they bring, and the way they sit alongside more traditional handwork without fuss.⁠
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Discover more of our manufacturing process via the link:⁠
jim-lawrence.co.uk/category/inspiration/manufacturing-in-england
A closer look at two new pieces, working quietly a A closer look at two new pieces, working quietly alongside one another.⁠
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The Double Brooke Wall Light has a reassuring weight to it, made with solid brass, it is a piece that will stand the test of time.⁠
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The Frosted Walcot softens the mood. Once lit, the glass gives off a gentle, diffused glow that feels calm and easy in a space.⁠
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Discover the collection via the link in bio. ⁠
Our May Edit.⁠ ⁠ This month, we’re drawn to Our May Edit.⁠
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This month, we’re drawn to Jade Green, Frosted Glass and Hunstanton Velvet in Duck Egg Blue, softer tones that feel fresh for the season, paired with the warmth of antiqued brass. Together, they bring colour, texture and character in a way that feels considered.⁠
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Follow along for our monthly edit, where we bring together best-selling pieces designed to work beautifully, and naturally, side by side.
Small spaces can still have plenty of character.⁠
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@logie_cottage has made every inch count, filling this bathroom with thoughtful detail and plenty of country charm. Our Single Malvern Bathroom Lights, placed either side of the mirror, bring balanced light and a simple, timeless feel that suits the space perfectly.⁠
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It’s a lovely reminder that good design isn’t about size, it’s about choosing pieces that work hard, look right, and help a room feel considered from corner to corner.⁠
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Photography & inspiration: @logie_cottage
Traditional forging has been with us from the very Traditional forging has been with us from the very beginning, back in a small Suffolk barn with little more than an anvil, right through to the workshop as it is today.⁠
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It’s a way of making that feels rooted in something honest and real, part of a much wider story of British manufacturing that we’re proud to still be part of.⁠
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If you’d like to see more, you’ll find the full Jim Lawrence story via the link in our bio.
Nothing similar is quite the same.⁠ ⁠ A light, Nothing similar is quite the same.⁠
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A light, open space made all the more inviting with a considered mix of pieces, our new Double Brooke Wall Light alongside the Frosted Walcot Pendant. ⁠
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Each one made with genuine care, each one carrying its own quiet variations. These gentle irregularities are signs of a process led by people.⁠
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Discover the collection via the link in bio.
A look inside the daily rhythm of our Suffolk work A look inside the daily rhythm of our Suffolk workshop.⁠
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This is where it all happens, pieces moving steadily from one bench to the next, each one handled with care and a good deal of know-how. Our painting and sherardising aren’t quick fixes or final flourishes, they’re trusted processes we return to every single day because they do the job properly.⁠
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What you see here is exactly that: an honest glimpse into how things run. ⁠
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It’s thoughtful, practical making that shapes everything we produce. Follow along if you’d like to see a little more of how it all comes together.⁠
⁠
How it’s Made.
As the seasons begin to turn, we find ourselves re As the seasons begin to turn, we find ourselves reaching more often for simple, natural additions at home, a few stems gathered on a walk, dried grasses, or the first flowers brought in from the garden.⁠
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We’ve always loved how our customers style our lights in this way, softening the look with flowers and foliage. It’s an easy, thoughtful approach that adds colour and texture without ever feeling overdone.⁠
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With summer just around the corner, it’s a timely reminder that styling doesn’t need to be complicated. ⁠
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With thanks to:⁠
@sascalstudio⁠
@rosie__maybe⁠
@jessica.forbes.interiors⁠
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Photography by @elliottwhitephotgraphy⁠
Most of the time when people think of us, they thi Most of the time when people think of us, they think of lights, and they’re right. From pendants and wall lights to chandeliers and table lamps, every piece is designed and handcrafted here in Suffolk, in our UK workshop.⁠
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However, we also make a wide range of window furniture, curtains blinds and poles. Pairing our fabrics and finishes, to ensure you can coordinate your soft furnishings with the rest of your home in a way that feels considered, well‑made, and built to stand the test of time.⁠
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All handmade in Suffolk. ⁠
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Discover more via the link in bio.
Good lighting can tie a space together, especially Good lighting can tie a space together, especially in spaces that mix old with new. Our Ellington wall light is a natural fit here - set against timeworn textures, warm wood and aged brick, our antiqued brass feels right at home.⁠
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It’s this balance we always come back to, mixing modern pieces with vintage textures, creating spaces that feel lived-in, considered, and quietly timeless #jimlawrencemade⁠
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#pendant #glass #lighting #handmade
A glimpse at how our brass is formed. ⁠ ⁠ Each A glimpse at how our brass is formed. ⁠
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Each back box starts as a flat disc, shaped with precision on our spinning machine. It’s a process that relies on steady pressure and careful control, gradually forming the brass into its final shape.⁠
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We’ve always preferred to make things ourselves. It allows us to oversee every stage, checking each piece as it moves through the workshop and ensuring the finish is exactly as it should be.⁠
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The result is pieces with consistent quality and made with genuine care.⁠
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Made this way.
A clever light for every corner. ✨⁠ ⁠ Our Ha A clever light for every corner. ✨⁠
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Our Hanson Library Wall Light tucks neatly by the bed, leaving surfaces clear while bringing a soft glow. With its single swing arm, it follows you from reading to relaxing, guiding quiet evenings.⁠
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Practical, yes - but with a subtle character that transforms a simple corner into a little daily ritual.⁠
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Styled beautifully by @uns.hobbs_interiors
The softness of aged wood, the texture of painted The softness of aged wood, the texture of painted brick, and the quiet glow of well-placed lighting, it’s these small details that come together to create something calm and enduring. Our lights are designed very much with this in mind, to sit comfortably within a room, adding warmth without ever feeling overdone.⁠
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Nothing too polished, just a balance of old and considered pieces that make a space feel settled and lived in.⁠
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Explore more via the link in our bio.⁠
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A customer recently got in touch while downsizing, A customer recently got in touch while downsizing, having come across⁠
one of our very first brochures, carefully tied together with twine. ⁠
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It brought back memories of those early days and of pieces that have clearly⁠
stood the test of time. It is a reminder of how far things have come and how⁠
much those early values still matter to us today.⁠
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Thank you for sharing this with us - we always value hearing from you, and⁠
messages like this feel especially meaningful.⁠
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For more information about ⁠our story, please follow the link in our Bio.⁠
⁠The Rococo Wall Light is a piece that doesn’t ⁠The Rococo Wall Light is a piece that doesn’t try to hide.⁠
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With its flowing lines and decorative detail, it takes its cue from 18th century Rococo design, a style that embraced ornament, softness, and a certain sense of ease. Even the name comes from rocaille, the French word for seashell, a motif you’ll spot in its shape.⁠
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Lately, we’ve seen a move away from very pared-back interiors towards something a little richer and more expressive. Less minimal, more considered. Pieces with presence.⁠
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We make each light as a left or right-handed piece, so they can be used as a pair, framing a fireplace, a favourite picture, or either side of a doorway.⁠
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Discover our Wall Light collection via the link in bio.
A lovely glimpse into a working corner of a rustic A lovely glimpse into a working corner of a rustic office.⁠
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The Peterhouse Desk Light feels right at home here, the dark wood tones of the desk draw out the warmth of the antique brass finish, giving the whole space a comfortable, lived-in feel.⁠
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We’ve always found that antique brass pairs easily with a wide range of materials. Here, it sits beautifully alongside deep wood tones, while also working just as well with the softer, lighter creams in the adjoining bedroom.⁠
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With thanks to @figletlife for sharing this with us, and to @emmajaynelavell for the beautiful photography. ⁠
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Follow along for more inspirational images from our customers and the spaces they’ve made their own. #jimlawrencemade⁠
A fresh palette.⁠ ⁠ Our latest fabric colours A fresh palette.⁠
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Our latest fabric colours draw on softer, familiar shades, reworked for today and designed to sit elegantly alongside one another. Each tone has been carefully paired, making it easy to build a scheme that feels balanced, calm and cohesive.⁠
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Whether layered together or used as a gentle accent, these fabrics are made to bring warmth, and unique of character to the home.⁠
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Discover the full range via the link in the bio.
⁠At Jim Lawrence, we’ve always believed in doi ⁠At Jim Lawrence, we’ve always believed in doing things the proper way, by hand, in-house, and with honest materials. 

What you see here is exactly that. Real footage from our workshop, captured as it happens. No staging, no refinement, just the rhythm of making: loud and industrious.

Our commitment to UK-based production sits at the heart of everything we do. Each material carefully handled, every finish built up with patience, and decades of skill brought quietly into every detail.

Follow along for an honest look behind the process.

Made this way.
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