Transforming a run down 17th Century build is no easy task, but Kate from @myoldpub has achieved a result that appears effortlessly stylish. Steeped in history with each room now boasting a beautiful interior, we were drawn in by the stunning beamed bathroom featuring out favourite Ava Pendant. The reality of a project like this comes with its challenges, so we caught up with Kate to uncover what it takes to take on a mammoth refurb like this one and how you can turn a rickety, stale old pub into a gorgeous period home.

Please introduce yourself and tell us how you came to be ‘myoldpub’.

My name is Kate and I bought a 17th century pub three years ago. It was converted to a home in the 1970s/80s but unfortunately it had been quite badly damaged by tenants before I bought it. It was in a sorry state and desperately needed some love. Over the last three years I have been trying to bring it back to life.

We can’t help but be curious about the day jobs of the accounts we follow, have you always been interested in décor and design?

I work with historic buildings/places that are in a poor state of repair and generally on the Heritage at Risk register, finding new uses for them, securing funding and coordinating their regeneration. I am very lucky, I get to work with some fantastic clients and amazing buildings! I have a background in design and worked as a masterplanner/urban designer at an architects in London for a few years, so always had a real passion for design and decor.

We should start with why you chose to pick this property to renovate. What made you fall in love with this location in particular?

Having said I didn’t want a project because it is too much like work, I fell in love with this place the first time I walked through the door and saw the ridiculously over sized fire place! Honestly, it was within seconds of walking through the door I knew it was the one for me. I think it was the fact that it so needed some love from someone and that underneath the dirt and smell it obviously had a nice feeling to it!

Your beautiful home was a working pub up until the 1980s, but originally having been built in the 17th century it’s clear that its very bones are steeped in history. Many of our customers will appreciate that renovating older builder can present unusual challenges when renovating. How much work was there to do when you first moved in?

A lot! Nothing structural, but just every single room was damaged in some way, it really needed a lot of love. It had been neglected by tenants and the damage was throughout. The smell was so bad when I viewed, the owners actually agreed to let me have the worst carpets removed and the place fumigated before I completed the sale. The first five weeks were spent with no electrics, then six months of scaffold to fix; windows that were about to fall out, chimneys, missing tiles, damaged bricks and since then it’s been constant DIY and some professional help. I really do like to get stuck in and have a go at everything! It’s definitely been blood, sweat and tears but I’m slowly getting rid of the interior waterfalls, house guests (rats!) and giving this place some love.

How long have you been living at the property now? And were there any surprises uncovered when renovations began?

I’ve been here for three years now. Lots of surprises along the way, probably the most interesting find has been the witch marks and other ritual markings on the beams which has been rather exciting.

Please do tell us more about the striking beams that run through the house!

They are rather wonky aren’t they! I’m lucky that through my work I have a friend who is a building archaeologist and when I first moved in he was kind enough to spend a day going around the building with me and trying to piece the history together. We came to the conclusion, fairly quickly, that not a single one of the beams is in its original location. In fact, he thought given the woodworm damaged to them, they were possibly from an old barn or previously stored outside for a long period of time before they were used to build the house in the mid 17th century.

There is one beam that is particularly amazing, he thought it might be as early as the 14th century and has holes in it where mullions and shutters would have been prior to glass being used! It definitely isn’t in its original location, but fascinating nonetheless.

What do you think is the key to perfecting a period project? Did you keep the heritage of the building in mind?

Good question! I’m not sure I know what is key to perfecting a period project, but personally I really want to let the historic fabric of the building do the talking. I think there can be a temptation to overly restore old buildings and therefore I like to keep things a little rustic (or at least that’s what I tell myself when a bit of DIY isn’t quite as perfect as I would like it to be!). I think you probably have to be quite flexible and fairly laid back. Things will take longer than you anticipate and you may need to tackle things in a different way to how your first envisaged.

We were thrilled to spot some details from our Bletchley range in your dreamy bathroom, as well as our popular Ava Bathroom Pendant Light. Of course we feel our products are a wonderful fit for your home, but what made you choose us?

I love your products, there is such a good range to choose from, which is particularly helpful when your rooms or spaces aren’t a conventional shape and size! What I particularly like is that the products are always beautifully proportioned and balanced, which means they don’t overwhelm spaces. They are also very good quality and show great craftmanship. The other thing that is important to me is that you are a local company and I can fairly easily visit your showroom.

Naturally we love using Instagram because it introduces us to fascinating people with splendid homes like yours, but it can sometimes feel oversaturated with decor ideas! Do you feel that using the app has influenced your approach to styling a home?

Oh goodness, it can be overwhelming can’t it? I also find it so hard because I love lots of different styles, from minimalist to mid century…makes it impossible to settle on a style! However, what I’ve realised is that I need to work with the house I have in front of me, not try and squeeze a style in that just doesn’t work with the architecture. I  do use the app constantly for design ideas and inspiration. It’s such a useful resource and people are just so helpful! I do find though that there are a few key accounts that I go back to time and time again. The other thing that has been a really lovely surprise, is how helpful people are, it really has saved me a great deal of time and money by being able to discuss things with other people on Instagram.

There is a lot of focus is put on your interior design (and rightly so) but we also very much besotted with the outside. Do you have big plans for the garden?

Thank you! Sorting out the garden was the first lockdown project. It had obviously been planted up by someone who really knew what they were doing about 20-30 years ago. But sadly, it was full of rubbish and was very overgrown when I moved in. The brambles were about five metres tall and most of the walls were covered in ivy, so much so I didn’t know they were there!

This year the plants have really started to mature which is lovely to see, its still an evolving project, but the main work is now done. At some point, I would love to create an open fronted oak framed garden building at the rear of the garden. The idea would be that it provides a bit more outdoor storage and a place for sitting with some cover…but that’s a few years off yet.

What rooms are you currently working on in the house?

I am currently working on finishing the utility room, which has a major overhaul and the downstairs loo! It is a small space that needs to work quite hard, but just reorganising it has made such a difference to its useability. That will be the last major bit of work to do on the house, although I’m sure there will be more surprises!

A few quick-fire questions…

What is your top tip for making a house a home?

I have learnt to try and not rush things (I am naturally impatient so this is hard), only buy things you love or have a special meaning to them.

Can you describe your personal style in three words?

That is so difficult, but I hope it is natural, cosy and timeless.

We have to ask…what’s your favourite Jim Lawrence product?

Has to be the Ava Glass Pendant, it’s so delicate and beautifully proportioned.

Is the Old Pub your forever home?

I am not sure! Can’t see myself moving any time soon, but never say never.

If you too are inspired by Kate’s home, follow her ongoing refurb journey at @myoldpub on Instagram. To stay up to date with Jim Lawrence, follow us on Instagram, Facebook and Pinterest. Browse our website to see all of our hand forged and finished lighting and homeware.

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Ava Bathroom Pendant, Button Finial Pole Pack in Matt Black, Bletchley Roll Top Soap Basket, Club Wall Light

Founded in 2021 by two friends, Charlotte and Kerrie, Torn & Cotton Interiors believe in creating interiors that are timeless, comfortable and considered. Creating drama with neutral palettes and bold contrasts alike, their decor is both harmonious and striking, a hard-to-reach achievement that we have very much enjoyed oggling over on their Instagram over the last year. We caught up with Charlotte and Kerrie to find out more about their ethos and how to ensure uniqueness is embraced in every home.

Can you tell us a bit about how you both discovered and refined the style of Torn & Cotton Interiors?

Discovering our style is something that happened gradually throughout our teens. Our tastes were often similar, and we would turn up to social events wearing the same outfit, or the same but in a different colour – we’ve ended up doing the same for client meetings sometimes too! It’s safe to say we always knew our styles were very much aligned, long before we were designing together!

When we were eventually old enough to be buying our first homes and renovating, we realised that not only did we buy similar clothes, we also had a very similar style when it came to interiors and a shared passion (read obsession!) for it. We both have a desire to combine classic and contemporary styles, and a shared love for nature inspired interiors by bringing natural fabrics, colours and pattern into the home. We always work together on our projects and really enjoy bouncing ideas off one another until it snowballs into this beautiful, shared objective.

Being in our second year in business, refining our style is something we work on continuously with each project that we take on, and it has a lot to do with the lovely clients who come to us because they’ve seen our work and like our portfolio and trust in us to express our style. We feel its hugely important as designers to have a signature style that brings in a specific client, but that also grows and evolves over time. As well as our designs reflecting our own style as a business, it’s also important to us to ensure the personalities of each of our clients are reflected into our designs. The interior of your home is a reflection of who you are, so we are dedicated to ensuring our clients homes are individual to them whilst getting the Torn & Cotton Interiors touch.

You have been friends for 10+ years, how did you meet and at what point did you decide to pursue a business together?

We met at school in 6^th form and became friends along with a larger group of girlfriends, who we are still very close with to this day! We had many a conversation about our desire to work for ourselves and run our own businesses one day (usually after a couple of red wines), however the matter of us actually working together wasn’t properly discussed until the pair of us started having children. The more we talked about it, the more it seemed like a great idea. It then of course took time for the cogs to start turning, and for us to work out the logistics, but we both ultimately shared the same goal, and our personalities seemed to complement each other, so we thought why not!? It’s been a beautiful whirlwind ever since.

Torn & Cotton Interiors believe in creating interiors that are ‘timeless, comfortable, and considered’, how does this translate in practice?

When we are developing designs for a client it is important to us that these three aspects are always reflected upon. Timeless design is so important to us as we want to create something for our clients that will stand the test of time and that isn’t just a fly by trend. Of course, there will always be trends that come and go in interiors, some may have their place or may be perfect for a client, but what is key is to ensure the design in its entirety has longevity to it. A comfortable design is vital as we want the spaces we design to be loved and ‘lived in’. We strongly believe that your home should be your sanctuary, somewhere that brings you peace.

A considered design quite literally means that we ensure each aspect of the space and the design has been carefully considered, all the details have been accounted for ensuring that everything in the space works in harmony together and is fully functional for modern day life.

We love how you layer tone and texture in your rooms. How do you go about choosing a colour scheme?

How we choose a colour scheme for a room will vary from project to project depending on a multitude of aspects, whether that’s the clients particular brief, the surroundings of the space, the amount of light within the room, the type of room, the age and style of the building. Once we have determined the brief and/or starting point from the client, we go from there and start gathering inspiration for the design. Before making any final decisions, it is always so important to ensure colours and samples are checked on site too.

You’ve used our Club Wall Lights and Fulbourn Pendant in a recent project and to beautiful effect we have to say! What do you look for when choosing lighting for a room?

Thank you! The club lights are a favourite of ours. When choosing lighting for a room they need to be functional for the particular area they are being used in, beautiful, and in line with the design scheme in terms of finish and form.

Though there is a wealth of gorgeous inspiration on platforms like Instagram, sometimes it seems like a lot of houses can end up looking the same based on what is trending at the time. How do you ensure a uniqueness is felt in each a home?

A big part of being an interior designer is working with people from all different walks of life. It’s our job to get to know our clients, attempt to climb inside their minds and work out what it is that they want and understand how they live. That’s why we ask questions like, what do you do for work? Who do you live with? What’s your shoe size? (Just kidding).

But seriously, we have to know these things. It’s actually in our job description to be nosey! After all, how could we possibly design a home for someone we barely know? We therefore ensure uniqueness by making sure the clients own personal style is reflected within our designs whilst also trying to push their boundaries in the most creative ways possible.

Do you have one key piece of styling advice that you can share with us?

Our key piece of advice would quite simply be to surround yourself with the things that you love. One thing we would say is not to get het up on ‘trends’ and so called ‘must haves’. Be yourself. Seen something unusual that you feel really drawn to? Get it. Love the idea of painting your own artwork for your hallway? Do it! Your home should be individual to you and reflect your style and personality. Style is so subjective. No two people will style a room the same so our advice would be to try not to worry about what’s right and what’s wrong. Don’t fear that what you are doing won’t be liked, just do what feels good to you and what you love the look of. Your home is your own sanctuary.

A few quick-fire questions…What are your three tips for making a house a home?  

• Add soft furnishings and natural textures to create a warm and inviting environment to ensure your space doesn’t feel too cold and clinical.
• Surround yourself with items that feel special to you. Collect pieces that make you happy.
• Make your home functional as well as beautiful, for example by creating useful/clever storage.
  

What’s the staple homeware piece that every house needs?

Some Jim Lawrence lighting of course! In all seriousness, Jim Lawrence is our go to for classic, quality lighting that will make a statement in your home.

Your favourite Jim Lawrence product?

It has to be the Club lights: classic, timeless, simply beautiful.

Finally, what are you most looking forward to for Torn & Cotton Interiors?

This year we have lots of or beautiful projects coming to an end and we can’t wait to get them all photographed! Stay tuned!

If you too are inspired by Charlotte and Kerrie’s designs, for more of their interior styling portfolio follow @tornandcottoninteriors on Instagram. All Torn & Cotton images shown are taken by Laura Malin Photo. To stay up to date with Jim Lawrence, follow us on Instagram, Facebook and Pinterest. Browse our website to see all of our hand forged and finished lighting and homeware.

GET THE TORN & COTTON LOOK

Brass Curtain Pole in Antiqued Brass, Fulbourn Pendant Light, Burnt Orange Cushion Cover, Club Wall Light

An expert in carefully-curated eclecticism, we spoke to Sian from @restore_home_ about her history with interiors and her advice on layering with textures which she does so well. Tinged with vintage-look items and framed with a cool industrial edge, we’ve loved delving further into her home and uncovering the secrets to a successful renovation journey.⁠

Sian, welcome to the Style Journal. Can you tell our audience how you got into refurbishing property?

I’m really just a frustrated lawyer! I wanted to be an architect so refurbish houses as a hobby to fulfil my need for creativity and appreciation of the aesthetic. I guess interiors nourish my soul whereas law feeds by brain and puts pennies in the bank!

We know older homes can sometimes present unusual challenges when renovating. What’s the key to perfecting a period project?

Every project is completely different and I think no matter how many properties you renovate, there’s always something to learn. Keeping an eye on the original details and remembering what you fell in love with about the house is critical. In my latest renovation it was the staircase and proportions that drew me in. In planning the extension, the ideal new floorplan would have meant removing an original window and compromising an existing staircase. I’d fallen in love with the original Georgian windows and staircase – so the compromise had to be in the extension – not the original features. As soon as the structure was up I knew that retaining the details was the right course as that’s the soul of the property.

What is it that makes you choose Jim Lawrence lighting?

Elegant but edgey design, first and foremost. But it’s the quality that never falters that keeps me buying it. The finish is fantastic and they only improve with age. And I’ve had some lamps for over 15 years and still they look beautiful and the finish looks perfect. I’ve honestly never been disappointed with a purchase from Jim! I’ve taken some risks with this property in going for real statement pendants (larger than I’d usually go for) but they’re fabulous and totally make the space. There’s a danger in under-budgeting for lighting. I feel it’s better to save elsewhere as lighting is a game-changer in a room and instantly elevates the space.

You often opt for shade-less light fixtures, why is this?

I love glass pendants. They’re timeless but importantly reflect the light, bouncing the brightness back into the room and complementing the room rather than providing a visual stop. In period properties particularly, enhancing the natural light is really important and glass optimises what you have naturally, even when the lights are off. I love pendants too but tend to use them on lamps for more ambient lighting.

We like to think a home project is never really finished, as like our wardrobes, interiors develop and adapt for the seasons and how we feel. How do you refresh your rooms when they’re in need of a ‘quick fix’?

Soft furnishings are a great way of updating a scheme, with a throw or cushions in a seasonal hue, but also artwork is underused in my view. I’ll often base a room around a piece of art, and then when I want something new and fresh, will add a piece that easily be switched in or out and around rooms.

After a year where many of us could only venture the world of interiors by looking online, where do you find yourself sourcing most of your home inspiration these days?

Instagram is a fantastic place to be inspired. As is Pinterest, but you can’t strike up conversations and ask questions as well as you can with Instagram. It’s really such a fantastic interiors community with some very talented people just posting about what they love. But I’m also an obsessive about paper: flicking through a brochure and the medium of print are really underrated now I think. I’ll often use Instagram for inspiration but when creating a moodboard I need to see and feel the images, and nothing replaces a mountain of swatches and samples!

Those of us fortunate to have outdoor spaces have never been more grateful for our gardens, patios and even porches. What’s the key to good (and happy!) garden design?

I think for me it’s evergreen structure. I love John Brookes concepts of gardens being a series of rooms, an extension of our homes. I tend to separate my gardens into 3 zones, for terrace seating near the house, a play area for the children and animals (perhaps with a rewilding area if possible) and then a more formal area for wandering around and outdoor dining.

By having “walls” of hedges, you can create the rooms but also mask some of the not so aesthetically pleasing areas – trampolines, sheds etc. Then you can focus the planting around these areas. I’d have soft breezy aromatic plants for the terrace, such as Gaura, herbs, lavender,  evergreen structural hedges for the format and disguising like Holm Oak or Portuguese Laurel, and then formal and fragrant planting for the seating and dining areas such as topiary, jasmine and cypress.

We really love your eclectic but carefully considered styling. What are three top three tips on how to layer up display areas indoors like shelving and sofa cushions?

Groupings of three are really helpful as it provides balance and doesn’t jar with the eye. Also consider height within that grouping, so there are different elevations. But fundamentally it’s about harmony (which can be through shape, or colour, or a theme) but really it’s about objects you just love and that speak to you.

How do you stay true to your own style when choosing home furnishings?

I’m not sure I could say I stay true! I don’t really have any rules, I just furnish with things I love and that draw me in. I do tend to hide purely utilitarian things in cupboards but that’s about the only rule. Perhaps a new style I’m adopting is to really be intentional about what I buy, and try to buy pre-owned wherever possible. There’s not much that you can’t get vintage and traditional designs, be it architecture or engineering, quite often still hold up as the best. They’ve remained in existence for a reason!

We love your laid-back look, but you’re clearly influenced by elements of traditional or vintage design. Do you have any truly unique old items in your home that you could never part with?

Yes, too many to admit! Some are family pieces which mean so much, but many are new acquisitions with stories to tell. Artwork is hard to part with, and I really love battered tan leather so that features everywhere from chairs, sofas and boxes down to my decades old trusty Filofax!

New or old, what’s the staple homeware piece that every house needs?

A squashy chair for reading alone or with children (and for the dog to snooze in), a beautiful table lamp, plus an array of individual cups and mugs for morning coffee and afternoon tea.

Talk us through your plans for the rest of 2021 and beyond…

I’ve currently just sold my Georgian terrace in Oxford and am moving to the country to be near my son’s new school. It’s a change led by necessity but I think one which will benefit us all as we’ll be able to get into nature more. The house has a stable with exposed stone. And looks out on to the garden and fields. I’m hoping to use it as a study and workshop for a new venture. Constantly searching for that creative outlet! But currently we’re in a stone barn until the purchase on the new place completes. It’s on a farm and is a wonderful transition, with huge tall ceilings, and masses of oak beams. Your pendant lighting would be incredible in this space but sadly it’s rented so I have to make do with my table lamps for now!

To stay up to date with Sian’s Beautiful Home and to see how she styles her new space, be sure to give her a follow on Instagram. We would love to see more Beautiful Homes! Tag your images with #JimLawrenceMade or email to press@jim-lawrence.co.uk so we won’t miss out. For further styling inspiration you can browse our Pinterest.

Pendant Lampholder, Walcot Pendant Light, Orwell Table Lamp, Globe LED Filament Bulb, Thorpe Wall Light

A full-time mum, blogger, Instagrammer, freelance brand consultant, holiday rental property manager and events organiser. Sarah-Jane, or @justalittlebuild as you are likely to know her by, has an impressive roster of skills to her name. We talk to Sarah-Jane about her beautiful home, how to renovate in light of the pandemic and the best ways to translate your personality into an interior…

We’ve long admired your use of our Lovell Pendants in your coastal holiday property (@leathousecornwall) which continues to bring admirers to our website, and were thrilled with some lovely feedback you gave us recently about our lighting. We’d love to talk about what draws you to Jim Lawrence products in particular?

I am honestly so pleased with the Lovell Pendants that we bought for Leat House. Not only do they look great in situ during the day – like glistening jewels hanging from the ceilings – but they completely transform the room to an atmospheric dining space in the evenings, similar to the experience you would have in a high-end restaurant. I think its down to the way the light deliberately shines down on the table below, making it feel intimate and welcoming. Other pendants on the market can disperse the light all around the room through the sides of the glass shade, but these simply don’t do that which makes them rather unique. We have them set up with dimmer switches which allows you to make the space feel more intimate as you can dim the lights right down for a more cosy dining experience.

Not only have you renovated your own home and Leat House, but you offer a design service for others who need the expertise. Have you always been interested in pursuing interior design?

I have always had a real passion for all things homes and interiors. From the early days of watching ‘Changing Rooms’ on the TV and more recently “Your Home Made Perfect’, I enjoy nothing more than immersing myself in design-led makeovers and challenges! Seeing rooms transform into more desirable, welcoming and practical spaces is something I love to see and thankfully now, I have the ability to do myself in my own home(s), and in that of others.

Many of our customers are led to us by their interest in period properties and English heritage, but we are always pleased to see our lighting and homeware tied into more contemporary schemes. Tell us how you blend different trends and styles to make the decor work as a whole?

With any room scheme, determining the overall feel you want to achieve is the best starting point. Do you want the interior design mix of old and new to feel elegant, fresh, lived-in, relaxed, classic or unorthodox? For me personally, I tend to lean towards a more fresh mix – marrying the old and new to give a new design perspective that allows each aspect to shine in its own right. I would say my style is fairly contemporary in design with a classic edge. A nod to the Transitional Design which borrows from both traditional and modern design to facilitate a space that is not “too much,” in terms of one style or another.

Leat House is over 200 years old and has some beautiful original features such as a flagstone slate floor, some exposed wooden beams and a Cornish stone wall within the living room. These architectural aspects lend themselves to the ‘old’. With some sympathetic pieces of furniture such as a large comfortable sofa, a Persian rug and a vintage coffee table, you can embrace the character of this more traditional look and then, (and this is the fun bit!), you can bring in some of the more contemporary aspects to elevate the space and to give a sense of ‘freshness’. I like to do this by introducing some modern artwork that sits within a very simple frame, lighting that has a combination of glass and metal and an accent chair with clean, crisp lines.

Forgive us for mentioning the pandemic, but how do you think the experience of lockdown has changed how we view our homes?

Over the last year, the pandemic has transformed the patterns of daily life. Perhaps one of the most recognisable shifts has been seen in the way we view our homes. Where we once designed them for comfort and security – a safe haven to which we could retreat at the end of a working day – our homes must now take on a plethora of other roles providing space for work, education, fitness, social events and more. In smaller homes, or for homes naturally divided into small spaces, multifunctional rooms offer an innovative approach to creating an adaptive living environment. By combining different purposes into a single floor plan, multifunctional rooms can make small rooms go further – kitchens with islands doubling as workstations, or guest bedrooms that can be transformed into gyms or offices as required.

In a world where flexibility is becoming evermore essential to functional living, multipurpose spaces can allow us to comfortably adapt to whatever changes might appear on the horizon.


It is easy to incorporate our personality into our own interiors, but how to you help translate this for others when you take on a project?

There’s really only one way to successful do this and that is to fully understand your client. Find out about their likes/dislikes, their hobbies, what they like to wear (this can be such a help when deciding on fabric selections for the home), what art they like (and what art they don’t!), how they like to live and where they like to go etc. This will all help form an idea of how your client will want their home to serve them and how it should feel when they are in it.

Alongside this, you can inject some personality into a home by introducing a statement piece of art, some accent furnishings (perhaps an upholstered chair in a statement fabric or some contrasting cushions) and/or a unique item of furniture. These should be heavily influenced by the client to bring out their true personality and resonate with them individually.

You announced that you’re moving from your current home into a new location. Using your experience, how will you take on this renovation differently from your other moves?

Over the last five years we have completed two renovation projects and in doing so have gained so much hands-on experience. The do’s, the don’ts, the things to look out for, the things to not compromise on and the things to not get too worried about! It has been a real learning curve and I hope to take forward all the valuable lessons through to this project.

With our new home, we have the ability to design a space that really works for us. In our last house we were constrained by the square footage available to us so it was difficult to play too much with the space we had. Here though, I hope to create a home that not only provides us with what we want (we have a room checklist…!) but also allows us to have fun with the architectural design to bring in different design concepts, varying heights, textures and materials. And with reference to my answer above on how the pandemic has changed the way we view our homes, this will very much affect our design choices for this project. I think the project style will fall within the Transitional Design that I mentioned earlier but with a nod to a Scandinavian style.

A few quick-fire questions…

What are your top tips for making a house a home?

• Adding plants – they can can bring life, comfort and colour
• Texture – it helps to break up the formality of a space, adds depth, comfort and reduces the need for lots of colours (if colour isn’t your thing)
• Mix of design elements – ‘old & new’ to give character and a sense style

What’s your favourite room to design?

The kitchen, although it can be the most stressful! It’s the heart of the home and where I like to be so for me, its the anchor point of any interior design project.

What’s the staple homeware piece that every house needs?

Task and mood lighting. So often forgotten but extremely important! Not only for practically but for making a house feel/look like a home.

Your favourite Jim Lawrence product?

I love the simplicity of the Club Wall Lights which we also have down at Leat House and I have recently installed in a client’s home.

Finally, what’s on the cards for Just A Little Build in 2021 and beyond?

To fully immerse myself in our biggest renovation project to date!

We are so looking forward to seeing this new renovation unfurl. If you too are inspired by Sarah-Jane’s advice and approach to design, for more of her interior styling and stunning home style follow @justalittlebuild on Instagram or the justalittlebuild blog. To stay up to date with Jim Lawrence, follow us on Instagram, Facebook and Pinterest. To shop her style, browse our website to see all of our hand forged and finished lighting and homeware. 

Lovell Pendant in Antiqued Brass, Schoolhouse Drawer Pull in Antiqued Brass, Club Wall Light in Antiqued Brass, Hunstanton Velvet Cushion Cover in Dusky Pink

Kay Prestney is an Interior Designer & Stylist working on private and commercial projects as well photoshoot and event styling. She also runs Kinship Gatherings, a business hub teaching people crafts and other creative skills. Not only is Kay’s own home a culmination of these talents, but her scandi-inspired interior is all sustainably and locally sourced. We chat with Kay about her gorgeous renovation and why an eco-ethos matters.

Hi Kay, welcome to the style journal! Your home has a rustic feel with a very neutral colour palette, but your interior is far from plain. Can you tell us a bit about how you discovered and refined your own style?

I have always been drawn to Scandinavian style, using lots of natural materials and a muted palette. As a stylist and interior designer I am immersed in design on a daily basis, I love colourful and playful interiors but always find that I need a neutral, calm interior at home to be able to switch off at the end of the day. I love to use layer textures, to bring the natural world into our home and use vintage pieces to create interesting rooms that tell the story of who lives there, reflecting their life and loves.

You keep to an eco-ethos whilst renovating your own home, is this something you stick to when styling other spaces?

Yes, very much so. I try to encourage clients to rethink their existing pieces, to look at making the most of the natural light and moving things around to get the look they want, rather than getting rid of everything and buying new. There are lots of ways you can repurpose pieces or give a vintage item new life such as adding castors and a linen cushion to a vintage wooden trunk to make it into storage and easily moveable occasional seating in one. Buying vintage makes your home unique and helps the planet, what’s not to love about that!

There is certainly a wave of recognition for sustainable practice rippling across the world – and rightly so – but how can we all implement these positive and conscious changes in the everyday home?

I think we can all start by buying less and if we are paring back then considering how we get rid of unwanted items sustainably by donating to charity, putting on free cycle or repurposing. Its amazing how many creative ways there are to upcycle unwanted things. Try googling ideas before you throw something away and you might find a new crafting hobby!

We love that you champion local businesses in your design. What draws you to Jim Lawrence products in particular?

I feel passionately about supporting small local businesses and Makers. I always try to choose heart-led companies in my work and I love the ethos of Jim Lawrence, the attention to detail and the fact it is all hand made locally. The products are also built to last which helps reduce our throw-away culture.

Of course we love your lighting choices, but where do you find inspiration for the rest of the décor?

I am always inspired by the natural world and try to get outside whenever possible to walk in the woods or over the fields. I forage fallen branches, foliage and dried seed-heads to brIng into our home to create interesting vignettes. I also love the association of fond memories when I see the pieces in my home and remember the walks or family time when we collected them. I subscribe to magazines such as 91, Enki, Elle Decoration and always look at interiors magazines when I am travelling for inspiration. I go to Design fairs and am often falling down an Instagram rabbit hole finding new Makers to follow!

When it comes to designing a room, where do you start?

I always start by taking everything out, this doesn’t have to be done physically, but it’s easy when you live in a room to just accept that pieces have their place. Sometimes just moving a sofa, adding a mirror to reflect natural light into a dark corner, bringing in some plants for colour and their health benefits and having a declutter can radically change a room on a small budget. It’s also really important to think about what a room is used for and to consider storage needs.

What has been your favourite space to design?

Ooh that’s such a tricky one as I have never done a project I didn’t really enjoy! I think it would have to be one of my first commercial design projects helping transform an old run down Barn into a cool Scandi inspired kids play space, cafe and studios. It was all done on a very small budget and I worked with the lovely owner Jo repurposing lots of pieces from a barn on the family farm where people stored things they didn’t want any more. We used lots of natural materials, upcycled most of the furniture and custom made pieces using scaffold boards and other vintage finds.

I have also really enjoyed renovating a holiday cottage on the Suffolk coast where we had to balance design aesthetics with the practicalities needed for a property that is let out. It’s now one of the most popular rentals on the agency’s books which is hugely rewarding.

Why did you start hosting the Kinship Gatherings?

When I started Kinship Creative Design Consultancy I wanted to meet like-minded people running their own small business, to make connections and find ways to collaborate and support each other. I couldn’t find anything locally so I started one myself. We meet every six months and there is now a wonderful network of creatives, Makers, small business owners and people who would like to set up their own business but are not quite there yet. It’s a hugely supportive network and we offer a workshop as part of the gathering as well as coffee and cake to fuel our creativity!

What events do you have coming up that our audience might be interested in?

Our next gathering is on Feb 7th and will feature a workshop about Marketing for small businesses. We also occasionally run pop-up gatherings which have taken place in Bristol and Guildford. We also run creative workshops and have some fun ones coming up in the New Year including Ceramics, Modern Calligraphy and Photography and Styling. I am also planning workshops on sustainable living, plant styling and care, and some new crafting workshops.

Finally, what’s on the cards for you Kinship Creative in 2020?

I am looking forward to some really exciting new interior design projects including redesigning a bridal studio, helping create a series of glamping lodges and some private home projects. I am also looking forward to styling shoots, helping small businesses thrive, expanding our Kinship Community through our Gatherings, working on some content creation with brands that share my values and maybe even finding time to make a few changes in our own home!!

To see what’s on and attend one of Kay’s events take a look here. To make sure you don’t miss out, sign up to the monthly community newsletters. To see more of her interior styling and stunning scandi home, follow Kay on Instagram at @kinship_creativedc. To shop her style, browse our website to see all of our hand forged and finished lighting and homeware.

At Jim Lawrence we believe that the exterior design of your home is as important as the inside. What you choose to put outside serves as a taster of the beauty within. What better ⁠place to start than the one place your guests reach for first? It can be hard to get a real feel for door furniture from a photo on your screen, but you’ll have to trust us (and our other customers) that you will fall head over heels for the quality and finish. We’ve selected our favourite Jim Lawrence Autumnal door decor on Instagram paired with our knockers, bells, numbers and knobs to inspire you this season.

Serving as a warm welcome, wreaths are a fun and interchangeable way to liven up your home entrance all year round, but particularly enjoyed in the greyer months. And what a wreath this is! Dried flowers give off an antiqued feel, with a crisp golden ‘patina’ that is both seasonal and pretty in autumnal décor. We love the blend of red and pink, creating an autumnal crown for our Heart Knocker in Matt Black on customer Victoria’s pastoral front door.

Another golden tinged adornment for the front door, this colourful homemade wreath bounces off the door furniture beautifully. We love this image inviting us inside to see a glimpse of our Bonham Lantern in Antiqued Brass. Deep blue hues are a gorgeous match for brass hardware. Always one of our go-to shades, customer Jess has mastered this classic ‘blue and brass’ look perfectly in her exterior design.

A successful harvest just in time for Halloween… This magnificent display from customers Pollyanna and Nick embodies everything we love about autumn itself. Crisp scattered leaves, plump pumpkins and another fabulous wreath ticks all our October door decor boxes. A grand entrance with or without the Halloween inspired styling, we always find ourselves admiring the use of our Putney Porch Light in their doorway…it looks like it was made to fit. For similar Antiqued Brass door accessories shop here.

If florals aren’t your thing, but function is…look no further. Minimal but impeccably stylish, our Matt Black door accessories matched with our Newport Downlighter will provide a smart silhouette in the daylight and a neatly illuminated, practical feel in darker evenings. This hard wearing, durable finish is the perfect choice for creating a timeless and sophisticated look all year round.

Our popular Antiqued Brass finish seen on the Melton Door Knocker, Regency Door Handle and Letterplate. A rustic posy of herbs is a lovely way to greet guests in terms of sight and scents, and can be popped into a vase later when you want to change up the display.

We would love to see more of your autumnal door decor, so don’t forget to tag us on Instagram, Facebook and Twitter. For some ideas on autumnal décor inside the home, take a look at our interior Autumn Edit here. For a wealth of home décor and interior inspiration, view our Pinterest page. To view all of our lighting and homeware visit our website. Happy shopping!

Experienced self builder, project manger and interior designer, Sarah Farrington is no stranger to a home renovation. Using Jim Lawrence lights in every room, she has just completed a new build called Gamekeeper’s Lodge, backdropped by its own 3-acre woods and with two beautiful lakes with surrounding views of the Warwickshire countryside.

Naturally curious to see more, we spoke to Sarah about her interior design business Farrington’s Design and her plans for this incredible location.

Thank you for agreeing to take part in our Beautiful Homes series, Sarah! You create many beautiful homes, but let’s start by talking about the extraordinary Gamekeepers Lodge. What inspired you to take on this project?

The stunning location of the plot. It’s idyllic and the thought of owning a woodland and lake with my teenage boys was very exciting. Despite living in London for the last twenty years, I’m a real outdoors girl at heart! The planning permission for the house was already agreed and I could see how the finished house should look and feel as soon as I saw the plans.

I’m a very instinctive person and although the cost of the land was more than I had budgeted for our entire self-build project I knew that the land was right and I was going to pull out all the stops to make it a success. After my previous eco self-build project in London it was the perfect next project for me, with the opportunity to design something contemporary, country and have a lot of fun.

Once the lodge is finished, what are your plans for the property?

I’m so glad you asked me that, as I’ve got some exciting plans for both the lodge and the beautiful woods that surround it. I designed a home to inspire both myself and my clients as I will run my interior design company from here. Seeing the products that I sourced in situ will hopefully help clients visualise how I can help their visions come together. So far, the big talking points include the elegant lighting, the calming effect of the electric blinds, how the porcelain tiles flow throughout and the beautiful bathrooms.

Gamekeeper’s Lodge is not just about the interior though. The views stretch for miles over typical English countryside, there are meadows with a natural swimming lake and a fishing pond with carp, plus a beautiful 3-acre woodland with paths and glades that wrap around the back of the house. I’m looking at ways to provide an inspirational location for groups to come and work, whether that’s a creative workshop for local artists, photography courses or even corporate hospitality events for companies looking for an ‘away from it all’ venue for the day. Essentially, space hosting for groups that want to increase productivity by working in a tranquil and special setting.

Finally, I’ve got a long-term back burner plan to diversify into the glamping business, albeit only on small scale. I’d like to be able to offer romantic, stylish woodland breaks in luxury bell tents. I have a lot of work to do in the woodland before that plan can be put in motion though so for now I’m looking to finish the garden landscaping, build my vegetable garden and get some free-range chickens roaming around!

We are very honoured that you chose to use our products across the whole lodge. What made you decide to do this?

I like to source products that will stand the test of time. Jim Lawrence lights exude elegance and luxury, from the hand-blown glass pendants, to the weight and depth of colour on the Lexington Pendant I used over the kitchen island and of course I love that retro cabling. I also wanted my suppliers to be UK companies where possible, Harvey Jones for the kitchen, Crosswater for bathrooms and Millboard for composite decking on the balcony.

I did a similar thing copying the colour of the Clay Aldgate Wall Light either side of my  “Jono’s Lobster” painting, with a pair of Clay Albion Spotlights either side of the mirror at the other end of the open plan space to unite both ends of this large room. The Aldgate is the perfect choice for task lighting over a kitchen worktop with an adjustable head. The Clay finish is a wonderful colour, really crisp and clean, complementing the colours on my hand painted kitchen in Cornforth White and De Nimes by Farrow & Ball.

When designing a room, at what stage do you first consider the lighting?

The earlier the better. The right lighting literally transforms a house, creating mood and atmosphere. In a new build the wiring takes place early on in the construction phase. You have a clean canvas to work on so the earlier you start to plan the more time you have to go through several iterations and get it right.

I create Pinterest boards for each room and one for lighting, pulling together images that inspire me. I transfer images to a mood board so I can see the overall effect coming together. Using photocopies of scale drawings of the room and the furniture that will be used, I play at moving this around as I think about how and what time of day the room will be used. Finally, I layer the lighting plan on top of that.

For example, I knew our snug lounge would be used for family board games in the afternoons and being East facing it won’t get the afternoon sun so I hung one large and one slighter smaller Balmoral pendant over the coffee table to give this area plenty of task light. Hanging at slightly different heights they cast dramatic shadows against the vaulted ceiling and the brushed brass finish adds warmth to the room.

Clients often say to me that they need to see the finished room before they can even think about lighting but by looking at the natural light, using ceiling heights, thinking about where furniture will be positioned it soon starts to become obvious where the key lighting features should go. Just working through the various layers of lighting and uses of each space helps pull a plan together.

How did you manage to create the depth and comfort of a country home in a new building?

Including features and materials in the building structure that might appear in a more period country property can really help here, the exposed oak trusses were my starting point as they would normally appear in a barn conversion or traditional country house so I was certain these had to be included from the initial design stages. Later I added features such as the painted tongue and groove panelling in the boot room, easy to add, wood panelling adds instant impact and character.

The antique brass finish on the Jim Lawrence lighting adds a period feel. Whilst most of the lighting flows from room to room in beautiful neutrals of slate grey, clay or hand-blown glass for me it’s the four Cranleigh Wall Lights that break up the long line of the upper hall with their soft fabric, Half Shades in Stirling Check Lovat Wool, that exude a very classic, country home feel to me.

A house in an English woodland definitely deserves to include warm colour and texture of oak. It resonates comfort and luxury. I chose solid oak internal doors, window ledges and staircase albeit all designed with a very clean contemporary style and then continued with coffee tables and my new Scandi divine dining table, which sits central to the house and brings all the family together.

It can be overwhelming when looking at a room you want to change, but not knowing where to start. Talk us through your design process. If you want to tackle a single room redesign where do you begin?

How much light the room gets at different times of the day and the view from the windows is my first consideration as it will determine the best room layout and also colour choices. I like to present clients with several room layouts to discuss and see what will work best for how they intend to enjoy the space. I enjoy thinking about the key features of the room, any focal points to restore such as an old fireplace or ceiling cornice which maintain the history of the house. I always think about the existing furniture or art that will stay in the room. It’s not financially viable or eco-friendly to just keep buying new things all the time. Old pieces add character and charm, can be up-cycled to provide a more contemporary edge but are part of the design story. My aim is to design elegant spaces, which are also comfortable and enjoyable. A home has to be approachable as well as astounding.

Of course you have to adapt per project according to the client, but how would you describe your own interior style in three words?

Contemporary. Country. Classy.

What advice can you give to those passionate about interiors wanting to turn their home décor skills into a job like yours?

Definitely do a professional qualification before you start. I did the National Design Academy Interior Design Diploma. It put a lot of what I already understood and practised, for example Colour Theory, into context and it gave me the confidence to move into areas where previously I was lacking technical expertise, such as window treatments. It included research into the history of design which is a great grounding for everything we do in design today. Very importantly it includes marketing and how to start a business. It’s an intensive course and the tutors expect a high standard of work from you but I feel able to offer a more professional and complete service to clients as a result of completing it.

I’m lucky as my earlier working life as a chartered accountant and venture capitalist really helps with managing your own company so I would probably advise them to do some sort of business management course or at least a short book keeping course as it’s not just about being able to design a beautiful room. Budgeting and project management skills help the whole process come together smoothly.

The Gamekeepers lodge certainly looks like anyone’s dream project, but do you have a sort of ‘bucket list’ renovation in mind one day?

I would love to do a beach house in a coastal Hamptons style. I would include large floor to ceiling windows like at Gamekeeper’s but opening out onto the beach with white washed wooden floors. Bright blue hues and crisp cream linens, textures of woven fabrics and distressed wood and of course jars of sea shells. Obviously, my favourite Lobster painting would be at home here too.

Locally I would also love to renovate and restore a Georgian style house, there are so many in Leamington, so that would be a fun project. I love bringing out the history of a house, it’s always exciting discovering what’s behind a plastered over fireplace. The 400 year old farmhouse I restored in Mallorca had a lot of those exciting moments where you find old wooden window ledges or historic stone floors that can put back the history in a room. There are a wealth of tile designs, fabulous wallpapers and paint colours available now that would make a Georgian country home project like that really rewarding.

What will you be working on going forward?

Building my interior design business, so lots of marketing and improving the website. I also want to start a blog to share my experiences during the two years I’ve been focused on the Gamekeeper’s project! September is always an inspirational time with shows like Decorex and 100% Design to attend so it’s the ideal time to be finding new clients, sharing experiences and ideas.

Ideally my next client would be someone who needs my project management skills including budget planning, scheduling deliveries and handling of sub-contractors as well as my interior design experience in sourcing beautiful products to complete a contemporary, country home.

Sarah, can be contacted through her website at www.farringtons.design and more pictures of the Gamekeeper’s project can be seen at www.gamekeeperslodge.co.uk. To stay up to date with Jim Lawrence, follow us on Instagram, Facebook and Pinterest. To view our full lighting collection, visit our website.

Aldgate Wall Light, Fulbourn Pendant Light, Lexington Pendant, Bathroom Lighting, Club Wall Light

The team behind Thatched Cottage Cotswolds have created a beautifully cool country holiday cottage with sophisticated brass details throughout. Quintessentially British complete with thatching, classic period features and located in the picturesque Cotswolds, it’s a perfect home away from home.

We spotted some beautifully styled Jim Lawrence products amongst the sweet wooden panelling and stone walls, and wanted to delve a little deeper into this stylish cottage décor. We spoke to owner Vicky about the quirks of period homes and how to stay in tune with a cottage feel without becoming twee…

The first room we spotted of yours was the perfectly quaint double bedroom with shutters, beams and our dainty Curtis Spotlights. What made you choose these lights over a pendant or other styles?

When we were designing thatched cottage I knew the look we wanted to create. The cottage walls are mostly sloped so having the chance to add some panelling was very exciting too as I adore panelling. It has totally transformed that room. The tongue and groove in the kitchen actually slopes with the wall which I love!

I chose the Single Curtis Spot Lights because they perfectly fitted in with the beautiful panelling as a backdrop.
I particularly liked the traditional twist of the fabric covered wire, and they also can be angled to work perfectly as a bedside lamp.

The cottage is a 17th century property, how does the history of the building effect your interior design choices?

To be the custodian of these beautiful buildings as we are, it’s always the feeling of the building as well as the look: a quintessentially cottage feel but not twee. I think if a house looks good naked you’ve done well. A focus on floors, walls, windows and doors etc. I wanted to keep it light, timeless and uncluttered but cosy. A serene colour palette. I’m a huge fan of light white interiors adding colour with picture, cushions and throws.

Period homes have their quirks, so which room was the most challenging to style and why?

Probably the sitting room. The quirk here is the shape. Originally there would have only been one room up and down, with a ladder to reach the room upstairs. With the addition of stairs some years ago, this narrowed the room somewhat, so positioning furniture was key. Having a sofa and a separate reading nook works really well here, as the inglenook dominates the room that end which is a feature in itself. We added some old tin buckets re-purposed for wood and kindling, plus our gorgeous Harrods box found in an antique shop fits perfectly for a cosy coffee table. It’s a great place to sit in the evening enjoying the fire and a glass of wine, or to cuddle up on the sofa and watch a film.

What are the main perks of your charming Cotswolds location?

We are in Whichford, a small village famous for its pottery so have regular visitors attracted to the area. There is a classic car meeting every third Thursday of the month too, and fortunately still a thriving village pub which is a rarity now in lots of villages. It’s perfect if you like peace and quiet: no street lights and no traffic! The dulcet tones of the nearby St Michaels church are very soothing and feel classically English countryside.

Was it always your intention to set up the cottage as a holiday destination?

Yes, we love the area so much and will be using it ourselves more as our children grow up and we have more spare time.

In your opinion, what are the three key ingredients for creating the perfect home away from home?

A great bed, great bedlinen and a great shower. And bath… That’s four! Having travelled extensively in my time at BA these were the most important aspects of creating a home from home feel and this is where we started.

And you definitely chose a good bath! Talk us through the design process for that heavenly bathroom of yours.

I have always loved the idea of a bath in the bedroom so having the opportunity when we renovated the cottage was a dream come true. It is not for everyone, but when you are on holiday it’s perfect. A bit different. A lovely little luxury. The single Barbican Pendant Light by the entrance is perfect too, we hooked it over to the side and it gives the perfect glow while relaxing in the roll top bath. A great spot to relax after a days exploring!

Of course we love your lighting choices, but where do you find inspiration for the rest of the décor?

My inspiration comes from the looks that I love on Pinterest and Instagram. There’s some incredible talented people out there and these platforms have transformed the way we all live and design houses. For me personally I think stay away from trends, traditional and timeless elegance is key. Less is more.

Thatched Cottage looks ideal for a cosy getaway in the autumn and winter months with its gorgeous fireplace. How do you recommend refreshing home interiors for the lighter summer months?

The summer months are really about throwing open the shutters to a garden abundant with shrubs, jasmine, honeysuckle and roses, feeling like the outside is coming in. The scent of these plants is gorgeous. We have added some beautiful slightly bonkers flowery armchairs  (a collaboration with Joules) for the summer months. In winter we have lovely leather chairs for a more muted palette.

Last but not least…what’s the next step for the Thatched Cottage?

The next step for Thatched cottage is to continue to be an inspiration for others. The amazing feedback we have from a followers on Instagram is heart warming, having inspired many other home owners doing up similar properties. We’d love to be featured in a Homes magazine one day, but our intention was to offer a boutique hotel room in a whole cottage was our ultimate goal which I feel we have hopefully achieved.

We think it’s safe to say Thatched Cottage has exceeded this goal – but why not find out for yourself? Book a stay in this idyllic Cotswold’s location here. To follow their décor journey, take a peek at their Instagram @thatchedcottagecotswolds.

Single Curtis Spotlight, Monkey Tail Forged Window Latch, Barbican Pendant, Bletchley Roll Top Soap Basket

To stay up to date with Jim Lawrence, follow us on Instagram, Facebook and Pinterest. To view our full lighting collection, visit our website. Happy shopping!

There’s certainly a cosy french farmhouse feel to your home, but woven together with a love for a darker, eclectic Victorian influence. Where do you source most of your inspiration?

The inspiration definitely comes from the old pieces we buy rather than online or magazines. When we bought the cottage it had a fitted eighties kitchen which we ripped out. We then bought an old shop counter at the auction and then another 3! It was great fun putting together an unfitted kitchen. We even used an old Victorian workbench to put the kitchen sink on!

What influenced your decision to go for dark walls?

We first went very dark grey in our bedroom ten years ago using a Sanderson paint called Battlement. I’d seen an image of a dark room in a grand old house and loved it. We loved the bedroom so much that the kitchen soon followed and then the lounge. Virtually the whole house is dark and moody now but I’m currently redecorating the kitchen with black woodwork and white walls with the lounge to follow.

With Christmas around the corner we thought it fitting to shows some appreciation for our dedicated and, it goes without saying, very stylish customers. We usually focus on one home in our Beautiful Home series, but at this festive time of giving made us want to share out the love!

We’ve been inundated with beautiful imagery of our lights and home accessories worked into Christmas décor, and with such an abundance of interior and exterior inspiration, we wanted to share it all with you…

Emma of @thelittlestonecottage never fails to amaze with her chic modern country style. Here she pairs our Antiqued Brass Heart Knocker and the Shaftsbury Front Door Knob with cotton, eucalyptus and pine cones for a subtle but delightfully rustic stylish welcome.

We’re no strangers to the beauty of the Cotswolds, but Pollyanna of @the_old_school_house always stops us in our scrolling tracks when she posts shots of this showstopping entrance. The powder blue door helps her wreath to sing! Our Ava Porch Light will illuminate the space perfectly – a gorgeous ‘welcome home’ sight on these chilly winter nights.

A pair of Wall Mounted Hackney Lanterns are a wonderful match for a traditionally festive exterior. There is something extremely inviting and cosy about this country entrance from the @yorkshirepartridge, we can smell mince pieces and mulled wine already!

Sian of @interiorbliss_design is always wowing us with her innovative styling, and her Christmas looks are no different! It goes to show that wreaths are just as pretty indoors and out, however you choose to interpret them! Get the look with our Antiqued Brass Pendant Lampholders.

This one is just missing a dusting of snow… Deborah sent this in on Facebook and the Polished Heart Knocker has never looked so at home. We’d be tempted to leave this up all year round!

A divine colour palette, all year round. You’ll recognise this front door because we love posting it so much… Emmy of @emmyhomeinteriors always seems to dress up her door frame with the most vibrant foliage, and with Christmas here she has made no exception. The Peacock Lantern in Antiqued Brass is a permanent fixture that looks like it was designed just for her…

Another Facebook-sourced masterpiece! Alison’s Antiqued Brass Granary Light oversees our Polished Knocker and Scrolled Handle, lit up by pops of deep green and red completing this very ‘Jim Lawrence’ Christmassy home…

Keep an eye out for more like this on our Instagram. Have you got some shots you’d like to share? Please follow us @JimLawrenceMade and tag us in your Christmas interior and exterior pictures. We can’t wait to see… To shop our outdoor lighting and door furniture, visit www.jim-lawrence.co.uk. Merry Christmas!